This book is, to all intents and purposes, entirely new. No considerableportion of it has already appeared, although here and there shortpassages and phrases from articles of bygone years areembedded--indistinguishably, I hope--in the text. I have tried, whereverit was possible, to select my examples from published plays, which thestudent may read for himself, and so check my observations. One reason,among others, which led me to go to Shakespeare and Ibsen for so many ofmy illustrations, was that they are the most generally accessible ofplaywrights.
If the reader should feel that I have been over lavish in the use offootnotes, I have two excuses to allege. The first is that more thanhalf of the following chapters were written on shipboard and in placeswhere I had scarcely any books to refer to; so that a great deal had tobe left to subsequent enquiry and revision. The second is that severalof my friends, dramatists and others, have been kind enough to read mymanuscript, and to suggest valuable afterthoughts.
LONDON
January, 1912
To
Brander Matthews
Guide Philosopher and Friend
PROLOGUE
CHAPTER I | INTRODUCTORY |
CHAPTER II | THE CHOICE OF A THEME |
CHAPTER III | DRAMATIC AND UNDRAMATIC |
CHAPTER IV | THE ROUTINE OF COMPOSITION |
CHAPTER V | DRAMATIS PERSONAE |
THE BEGINNING
CHAPTER VI | THE POINT OF ATTACK: SHAKESPEARE AND IBSEN |
CHAPTER VII | EXPOSITION: ITS END AND ITS MEANS |
CHAPTER VIII | THE FIRST ACT |
CHAPTER IX | CURIOSITY" AND "INTEREST" |
CHAPTER X | FORESHADOWING, NOT FORESTALLING |
THE MIDDLE
CHAPTER XI | TENSION AND ITS SUSPENSION |
CHAPTER XII | PREPARATION: THE FINGER-POST |
CHAPTER XIII | THE OBLIGATORY SCENE |
CHAPTER XIV | THE PERIPETY |
CHAPTER XV | PROBABILITY, CHANCE AND C ... BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!Sitemize Üyelik ÜCRETSİZDİR! |