THEINFLUENCE OF THE ORGANIN HISTORY.
Inaugural Lecture of the Department of theOrgan in the College of Musicof Boston University
PROFESSOR AND LECTURER OF THE DEPARTMENT.
New Edition, with Illustrations.
LONDON:
W. REEVES, 83, CHARING CROSS ROAD, W.C.
Office of "The Musical Standard."
I.—Pneumatic-Organ from a MS. Psalter of Eadwinein the Library of Trinity College,Cambridge | (Frontispiece). |
II.—Peruvian Pan's Pipes, Double Set. From aTomb in Africa | 10 |
III.—Early Form of the Regals. From Lucinius'Musurgia, sen Praxis Musicæ, 1536 | 19 |
IV.—From Gori's Thesaurus Diptychorum. Saidto be from an Ancient MS. of the Time ofCharlemagne | 22 |
V.—A Positive Organ. From Ambrosius Wilphlingseder'sErotemata, Musices Praticae,Nuremberg, 1563 | 31 |
VI.—A Curious Engraving showing an OrganistPerforming upon an Instrument with BroadKeys. From Franchinus Gaffurius' TheoricaMusica, 1492 | 34 |
VII.—The Ancient Mode of Organ Blowing. FromPraetorius' Theatrum Instrumentorum,1620 | 46 |
VIII.—Terra-Cotta Model of Hydraulic Organ.Cir. 150 a.d. Carthage Museum. From HermannSmith's "The Making of Sound in theOrgan and in the Orchestra" | 47 |
IX.—Rev. F. W. Galpin's Working Reproductionof the Roman Hydraulus. From HermannSmith's "The Making of Sound in the Organand in the Orchestra" | 48 |