COUNT ALARCOS

A TRAGEDY



By Benjamin Disraeli






As there is no historical authority for the events of the celebrated Ballad on which this Tragedy is founded, I have fixed upon the thirteenth century for the period of their occurrence. At that time the kingdom of Castille had recently obtained that supremacy in Spain which led, in a subsequent age, to the political integrity of the country. Burgos, its capital, was a magnificent city; and then also arose that masterpiece of Christian architecture, its famous Cathedral.

This state of comparative refinement and civilisation permitted the introduction of more complicated motives than the rude manners of the Ballad would have authorised; while the picturesque features of the Castillian middle ages still flourished in full force; the factions of a powerful nobility, renowned for their turbulence, strong passions, enormous crimes, profound superstition.

                                    [Delta]

London: May, 1839






DRAMATIS PERSONAE

ACT I

ACT II

ACT III

ACT IV

ACT V






DRAMATIS PERSONAE

     THE KING OF CASTILLE.     COUNT ALARCOS, a Prince of the Blood.     COUNT OF SIDONIA.     COUNT OF LEON.     PRIOR OF BURGOS.     ORAN, a Moor.     FERDINAND, a PAGE.     GUZMAN JACA, a BRAVO.     GRAUS, the Keeper of a Posada.     SOLISA, Infanta of Castille, only child of the King.     FLORIMONDE, Countess Alarcos.     FLIX, a Hostess.     Courtiers, Pages, Chamberlains, Bravos, and Priests.

Time—the 13th Century. Scene—Burgos, the capital of Castille, and its vicinity.





ACT I

     SCENE 1     A Street in Burgos; the Cathedral in the distance.     [Enter Two Courtiers.]
     I:1:1       1ST COURT.                 The Prince of Hungary dismissed?     I:1:2       2ND COURT.                     Indeed                 So runs the rumour.     I:1:3       1ST COURT.                     Why the spousal note                 Still floats upon the air!     I:1:4       2ND COURT.                     Myself this morn                 Beheld the Infanta’s entrance, as she threw,                 Proud as some hitless barb, her haughty glance                 On our assembled chiefs.     I:1:5       1ST COURT.                     The Prince was there?     I:1:6       2ND COURT.                 Most royally; nor seemed a man more fit                 To claim a kingdom for a dower.  He looked                 Our Gadian Hercules, as the advancing peers                 Their homage paid.  I followed in the train                 Of Count Alarcos, with whose ancient house                 My fortunes long have mingled.     I:1:7       1ST COURT.                     ‘Tis the same,                 But just returned?     I:1:8       2ND COURT.                                 
...

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