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In the printed book, line breaks in the Congreve catalogue were shownas virgules or slashes / (the “shilling marks” described in the editor’sIntroduction). The breaks have been restored in this e-text, retainingthe slashes and all hyphens.
Bracketed periods [·] are in the orginal. They occurwhenever a catalog entry ends with an abbreviation (“Tom.”, “Vol.”,“papr.”); the final period was supplied by the editor in most of theseentries.
Variations and inconsistencies match the original, including:
Variation between œ and oe, æ and ae.
Dashes and hyphens.
Spacing within entries in the Editio column.
Dots and ellipses.
Errors in the modern (1955) material have been corrected and markedwith mouse-hover popups.Other irregularities are noted but were leftunchanged. It is assumed that errors in the Catalogue itself, andinconsistencies in quotations from original printed works, werereproduced from their originals.
First page of Congreve’s “Bibliotheca,” showing the partiallyobliterated entries by the first hand. Reproduced from the original inthe library of the Yorkshire Archaeological Society by permission of HisGrace the Duke of Leeds.
Reprinted, with additional illustrations, from the Bulletin ofThe New York Public Library of 1954–1955. Printed at The New YorkPublic Library.
5
WhenWilliam Congreve died in 1729 he left a collection of books which hisold friend and publisher, Jacob Tonson, described (in a letter preservedat the Bodleian) as “genteel & well chosen.” Tonson thought so wellof the collection that he urged his nephew, then his agent in London, topurchase Congreve’s books. But Congreve had willed them to Henrietta,the young Duchess of Marlborough, who was much concerned with keepingintact (as she wrote in her will) “all Mr. Congreaves Personal Estatethat he left me” in order to pass it along to her youngest daughterMary. This daughter, said by gossip to have been Congreve’s daughteralso, married the fourth Duke of Leeds in 1740, and thus Congreve’sbooks eventually found their way to Hor