Transcriber's Note: The verses in the section on Gestures of Actorson p. 309are loosely quoted from "The Rosciad" byCharles Churchill, which more accurately reads:
"... When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;..."
Fig. Page
61. Affirmation, approving. Old Roman 286
62. Approbation. Neapolitan 286
63. Affirmation, approbation. N.A. Indian 286
64. Group. Old Greek. Facing 289
65. Negation. Dakota 290
66. Love. Modern Neapolitan 290
67. Group. Old Greek. Facing 290
68. Hesitation. Neapolitan 291
69. Wait. N.A. Indian 291
70. Question, asking. Neapolitan 291
71. Tell me. N.A. Indian 291
72. Interrogation. Australian 291
73. Pulcinella 292
74. Thief. Neapolitan 292
75. Steal. N.A. Indian 293
76. Public writer. Neapolitan group. Facing 296
77. Money. Neapolitan 297
78. "Hot Corn." Neapolitan Group. Facing 297
79. "Horn" sign. Neapolitan 298
80. Reproach. Old Roman 298
81. Marriage contract. Neapolitan group. Facing 298
82. Negation. Pai-Ute sign 299
83. Coming home of bride. Neapolitan group. Facing 299
84. Pretty. Neapolitan 300
85. "Mano in fica." Neapolitan 300
86. Snapping the fingers. Neapolitan 300
87. Joy, acclamation 300
88. Invitation to drink wine 300
89. Woman's quarrel. Neapolitan Group. Facing 301
90. Chestnut vender. Facing 301
91. Warning. Neapolitan 302
92. Justice. Neapolitan 302
93. Little. Neapolitan 302
94. Little. N