titlepage

THERUSH FOR THE SPOIL

(LA CURÉE).

A REALISTIC NOVEL.

BY

EMILE ZOLA.

WITH A PREFACE BY GEORGE MOORE.

TRANSLATED WITHOUT ABRIDGMENT FROM THE 34TH FRENCH EDITION.

Illustrated with Twelve Page Engravings.

LONDON:
VIZETELLY & Co., 42 CATHERINE STREET, STRAND.
1886.

TABLE OF CONTENTS


LIST OF ILLUSTRATIONS

De Mussy meeting Renée and Maxime driving in the Bois.
Renée watching Maxime and Louise in the little drawing-room.
The death of Angèle.
Renée and Maxime meeting for the first time.
Maxime discovers his father at the Maison Dorée.
The emperor and the old general ogling Renée at the ball at the Tuileries.
Renée and Maxime in the private room at the restaurant.
Renée and Maxime skating in the Bois de Boulogne.
Maxime assisting at Renée's toilet for the night.
The tableaux vivants at Saccard's Mansion in the Parc Monceaux.
Saccard surprises Renée and Maxime.
The commissioners for the Paris improvements inspecting the demolitions.

PREFACE.

The public and the press have agreed that "L'Assommoir"is M. Zola's chef d'œuvre. Against this verdict I have noobjection to offer. I believe it will meet with posterity'sendorsement. But although "L'Assommoir" may liftits head the highest, there are many other volumes in theRougon-Macquart series which stand on, and speak fromequally lofty platforms of art. In my opinion, these are"La Faute de l'Abbé Mouret," "La Conquête de Plassans,"and "La Curée."

I have spoken before of Zola as an epic poet: he is thismore than he is anything, and as he is more epic in "LaCurée" than elsewhere ("L'Assommoir" and "La Fautede l'Abbé Mouret" always excepted), it follows that itmust be one of the best and most characteristic of hisworks. The

...

BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!


Sitemize Üyelik ÜCRETSİZDİR!