CONCERNING LAFCADIO HEARN



Lafcadio Hearn.
From a Photograph by Gutekunst, 1889.

Frontispiece.


Concerning Lafcadio
Hearn. by george m. gould, m.d.

WITH A BIBLIOGRAPHY
By LAURA STEDMAN

 

WITH FIVE ILLUSTRATIONS

 

T. FISHER UNWIN

LONDON: ADELPHI TERRACE

LEIPSIC: INSELSTRASSE 20

1908


[All rights reserved]


CONTENTS

chap. page

I. HEREDITY AND THE EARLY LIFE 1

II. IN PERSON 7

III. THE PERIOD OF THE GRUESOME 13

IV. THE NEW ORLEANS TIME 33

V. AT MARTINIQUE 57

VI. "GETTING A SOUL" 65

VII. "IN GHOSTLY JAPAN" 81

VIII. AS A POET 93

IX. THE POET OF MYOPIA 103

X. HEARN'S STYLE 119

XI. SUMMARY AND CONCLUSION 137

XII. APPRECIATIONS AND EPITOMES 143

BIBLIOGRAPHY 247


LIST OF ILLUSTRATIONS

To face page

LAFCADIO HEARN, FROM A PHOTOGRAPH BY GUTEKUNST
IN 1889 Frontispiece

HEARN AT ABOUT THE AGE OF EIGHT, FROM A PHOTOGRAPH 5

REDUCED FIRST PAGE OF THE FIRST ISSUE OF "YE GIGLAMPZ" 21

LAFCADIO HEARN, FROM A PHOTOGRAPH TAKEN AT MARTINIQUE, AUGUST 24, 1888 61

HANDWRITING OF HEARN IN 1889 68


PREFACE


[Pg x]

THERE are as many possible biographies of a man asthere are possible biographers—and one more! OfLafcadio Hearn there has been, and there will be, no excusefor any biography whatever. A properly edited volume ofhis letters, and, perhaps, a critical estimate of the methodsand development of his imaginative power and literarycharacter are, and still remain, most desirable. That

...

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