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Transcriber's Notes: The original book cites Holland'sHerωologia in several places, but consistently misspellsit Heroωlogia. This has been corrected based on the image ofthe original title page of Herωologia at the Library ofCongress, www.loc.gov.

The original book contains a number of full-page illustrations.In this e-book, these illustrations have been moved to the nearestparagraph break so as not to disturb the flow of the text. The pagenumbers for these illustrations have been omitted, and page referencesin the text are linked to the pages on which the illustrations actually appear.Page numbers for blank and unnumbered pages are also omitted.

 


 


Contents

Shakespearean
Playhouses

A HISTORY OF ENGLISH
THEATRES from the BEGINNINGS
to theRESTORATION


By JOSEPH QUINCY ADAMS

Cornell University


logo


Gloucester, Mass.
PETER SMITH
1960


COPYRIGHT, 1917, BY
JOSEPH QUINCY ADAMS

REPRINTED, 1960,
BY PERMISSION OF
HOUGHTON MIFFLIN CO.


MAP OF LONDON SHOWING THE PLAYHOUSES

[Enlarge]

Blackfriars, (first) 1576-1584.
Blackfriars, (second) 1596-1655.
Curtain, 1577-after 1627.
Fortune, (first) 1600-1621.
Fortune, (second) 1623-1661.
Globe, (first) 1599-1613.
Globe, (second) 1614-1645.
Hope, 1613-after 1682.
Phoenix or Cockpit, 1617-after 1664.
Red Bull, about 1605-after 1663.
Rose, 1587-1605.
Salisbury Court, 1629-1666.
Swan, 1595-after 1632.
Theatre, 1576-1598.
Whitefriars, about 1605-1614(?).


TO

LANE COOPER

IN GRATITUDE AND ESTEEM


vii

PREFACE


THE method of dramatic representation in the time of Shakespeare haslong received close study. Among those who have more recently devotedtheir energies to the subject may be mentioned W.J. Lawrence, T.S.Graves, G.F. Reynolds, V.E. Albright, A.H. Thorndike, and B.Neuendorff, each of whom has embodied the results of hisinvestigations in one or more noteworthy volumes. But the history ofthe playhouses themselves, a topic equally important, has not hithertobeen attempted. If we omit the brief notices of the theatres in EdmondMalone's The Plays

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