E-text prepared by Marilynda Fraser-Cunliffe, Linda Cantoni,
and the Project Gutenberg Online Distributed Proofreading Team
()
Transcriber's Notes: The original book cites Holland'sHerωologia in several places, but consistently misspellsit Heroωlogia. This has been corrected based on the image ofthe original title page of Herωologia at the Library ofCongress, www.loc.gov.
The original book contains a number of full-page illustrations.In this e-book, these illustrations have been moved to the nearestparagraph break so as not to disturb the flow of the text. The pagenumbers for these illustrations have been omitted, and page referencesin the text are linked to the pages on which the illustrations actually appear.Page numbers for blank and unnumbered pages are also omitted.
Gloucester, Mass.
PETER SMITH
1960
COPYRIGHT, 1917, BY
JOSEPH QUINCY ADAMS
REPRINTED, 1960,
BY PERMISSION OF
HOUGHTON MIFFLIN CO.
MAP OF LONDON SHOWING THE PLAYHOUSES
[Enlarge]
Blackfriars, (first) 1576-1584.
Blackfriars, (second) 1596-1655.
Curtain, 1577-after 1627.
Fortune, (first) 1600-1621.
Fortune, (second) 1623-1661.
Globe, (first) 1599-1613.
Globe, (second) 1614-1645.
Hope, 1613-after 1682.
Phoenix or Cockpit, 1617-after 1664.
Red Bull, about 1605-after 1663.
Rose, 1587-1605.
Salisbury Court, 1629-1666.
Swan, 1595-after 1632.
Theatre, 1576-1598.
Whitefriars, about 1605-1614(?).
THE method of dramatic representation in the time of Shakespeare haslong received close study. Among those who have more recently devotedtheir energies to the subject may be mentioned W.J. Lawrence, T.S.Graves, G.F. Reynolds, V.E. Albright, A.H. Thorndike, and B.Neuendorff, each of whom has embodied the results of hisinvestigations in one or more noteworthy volumes. But the history ofthe playhouses themselves, a topic equally important, has not hithertobeen attempted. If we omit the brief notices of the theatres in EdmondMalone's The Plays BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!
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